Part 4 (or Part 1 of Vol 2) of the series on live action adaptation is all about favorites. But before we look at the top 20 list, let's have a recap of the previous parts:

Part 1 is an introduction, showing the growth of Japanese live action films through the years, and favorite manga genres + poll on past popular live action adaptations;

Part 2 celebrates the huge success of Bakuman, the Kenshin trilogy, Parasyte and many of the current live action movies. 

Part 3 features upcoming live-action movies, including Blade of the Immortal, Death Note, Fullmetal Alchemist, Museum, March Comes in Like a Lion. We also featured the list of top box office hits from previous years + poll on favorite live-action genres

While there is general agreement that live-action adaptations of popular manga and anime tend to be loyal to the source, there are a good number of movies that somehow departed from the original story - there may be changes to the main characters or certain twists and turns or perhaps even the introduction of new characters not seen in the manga or anime. Be that as it may, there is a certain curiosity factor that goes for live action productions.

In answering our original question: What's the point of producing live action movies if it sucks, perhaps the answer is that we want to see real actors play the parts. There is always that novelty and excitement to watch Takeru Satoh plays Kenshin, the former samurai assassin turned hero or Shota Sometani brings to life Hitoshi Iwaaki's young hero Shinichi Izumi and his fight against worm alien life-forms in Parasyte. Special mention goes to Yuya Yagira for playing Moyuru Honoo in the Tv series Aoi Honoo based on the life and adventures of some of Japan's most accomplished animators.

And yes, how can anyone ever forget Mao Inoue as Tsukushi Makino or Jun Matsumoto as Tsukasa Domyoji in Hana Yori Dango? Looking far beyond contemporary live action movies, there are the Lone Wolf and Cub series and Lady Snowblood....


The live-action adaptation of Hitoshi Iwaaki's Parasyte is perhaps one of the most exciting casting news in 2013, and the hype surrounding Shota Sometani playing the main role is really worth it. Playing his best friend and romantic interest is Ai Hashimoto, and while I would love to see more scenes featuring their relationship, I think the movie was able to consolidate the whole series of the original manga. It's far from perfect and I have a lot of reservations, but I enjoyed it very much. I think Masahiro Higashide, who is quite an inconsistent actor, was terrific as the alien and mysterious transfer student. 

The most extreme 108 minutes in Japanese film history? - that's what they said about Distraction (Destruction) Babies [ (Disutorakushon Beibizu- ディストラクション・ベイビーズ)] , the upcoming movie featuring Yuya Yagira, Masaki Suda, Nana Komatsu and Nijiro Murakami from the direction of Tetsuya Mariko.

View the embedded image gallery online at:

The just released teaser looks promising though I am not particularly "sold" on the "extreme" description. Well, teasers can either excite or disappoint anyway. As usual, Yagira fills up the screen - and this time with menace and the use of "distraction" which is also reported to be a mixture of words to deliver a unique movie title.

Aside from the acting duel between Suda and Yagira, I want to see how Nijiro Murakami interact with Yagira since many think of Murakami as the younger version of Shota Sometani, and everyone knows that Sometani and Yagira are two of the youngest Japanese actors to ever receive recognition abroad. Oh, and they just added Sosuke Ikematsu to the cast [ Which makes this another movie with Suda and Ikematsu, together. They are now the main actors in the 2016 Death Note movie ]

Before we talk about the future, let's have a recap: In Part 1 of our Live action series, we remember some of the most beloved live action movies like Hana Yori Dango, Death Note, Nodame Cantabile, among others. Graphical analysis of live action movies in Japan from the 1960s to the present show enormous growth - from a mere 3 LAs to 198 (covering 2010-2017) only. In Part 2, we discussed the success of Bakuman and recent live action movies in Japan which made amazing box office numbers like Rurouni Kenshin, Orange, Parasyte and Attack on Titan, among others.

We have yet to answer our main question: If live action movies suck, why continue making it?

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In Part 3, we'll explore upcoming live action movies and continue with our survey, Part 2 of Live action movies... [ please see above! ]

We previously posted a graphic analysis of recent live action movies and their box office records [Part 2 of this series] and in this article, let us expand on the list and include successful movies from 2007 until 2012. I have seen most of them, and one thing is sure: you need to cast popular stars with a certain resemblance to the original manga characters. If not, at least they embody certain features that somehow promote these characters.

It's not enough for the Japanese to produce live action adaptations based on favorite and popular manga and animation. There are also movies about manga artists and animators themselves. In the case of Bakuman [バクマン。] 

... talented artist Moritaka Mashiro and aspiring writer Akito Takagi, two ninth grade boys who wish to become manga artists, with Mashiro as the artist and Takagi as the writer. Some characters resemble real authors and editors of Weekly Shōnen Jump, and many manga titles mentioned in Bakuman have actually been published in the magazine.

Of course, the live action version features performances from Takeru Satoh (as Moritaka), Ryunosuke Kamiki (as Akito), Takayuki Yamada, Kenta Kiritani, Nana Komatsu and Shota Sometani (who was nominated for a Best Supporting Actor at the Japan Academy Prize for his role as Eiji Niizuma, the main rival of our main protagonists)

I can't help but remember watching Aoi Honoo since that TV series represents the animators' side. 

Aoi Honoo (Blue Blazes [ アオイホノオ] ) a Japanese coming-of-age manga series written and illustrated by Kazuhiko Shimamoto. It is a fictionalized account of his time as a student at the Osaka University of Arts, which he attended alongside Hideaki Anno, Hiroyuki Yamaga, and Takami Akai.

Blue Blazes features the wacky, hilarious and in-your-face performance of Yuya Yagira. Now, you can understand why I made the mention!

Back to Bakuman, what strikes me about the movie is how it promotes manga as a career being a "dream weaver" of sorts. There are many aspiring manga artists, but only a few could actually make it to the top, earn decent money and continue to get published as a way of living. Reports have it that there is as many as 4,000 mangaka (what a manga artist is called) working full time, plus thousands of part-timers and wannabes.

Now that's the question we are all here to try to answer!

In filmmaking, video production, and other media, live action refers to cinematography or videography that does not use animation (though sometimes based on an original animated series). As the normal process of making visual media involves live-action, the term itself is usually superfluous, but it makes an important distinction in situations in which one might normally expect animation, as in a Pixar film, a video game, or when the work is adapted from an animated cartoon, such as Scooby-Doo, The Flintstones, 101 Dalmatians films, or The Tick television program. The phrase "live action" also occurs within an animation context to refer to non-animated characters: in a live-action/animated film such as Space Jam, Who Framed Roger Rabbit, Looney Tunes: Back in Action, or Mary Poppins in which humans and cartoons co-exist, "live-action" characters are the "real" actors, such as Bob Hoskins and Julie Andrews, as opposed to the animated "actors", such as Roger Rabbit himself.

As you may have noticed in the wiki definition, the examples are all Hollywood-based movies and actors.

As an intro, please take the survey below [poll] with 5 particular live action adaptations featured - Hana Yori Dango, Death Note, Hana Kimi, Kimi ni Todoke, Nodame Cantabile and you'll be asked which are your personal bias and favorites.

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To put it simply, in the Japanese scene, live action adaptation refers to movies based on manga and anime. Aside from Japan, the US and France belong to the top 3 producers of Live action adaptation based on original manga and comics. I'm not going to go deeper into the differences or similarities of manga and comics, but would like to concentrate on the following:

[1] An introduction to Japanese live action movies; popular genres of manga and anime; a journey down the live-action lane;

[2] Statistics on live action films through the years; survey on favorites and list of top 10 live action movies [based on manga and/or anime]

[3] A look at future productions and mentions of filmmakers, innovators, manga artists (and actors who made waves in the live action scene, including voice acting); and finally answer the question: Do most live action adaptations suck?

In Part 1, we'll take a bird's eye view at the current state of live action affairs!


Psycho Drama list of 100 favorite Japanese films through the years.